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Shotcut tutorial · companion page

Five Tips for a Cinematic or Filmic Look in Shotcut

A real 21:9 video mode instead of fake black bars. A LUT instead of an hour of grading. Footage shot fast and played slow. A vignette so subtle nobody can name it. And a transition that is not a hard cut. Five tips, three filters, no colourist training.

Ben Espanto 13:24 runtime uploaded 11 Dec 2020 104,538 views 10 chapters

Reading in another language? Use the translate picker in the header, or your browser’s own translate command — the Shotcut filter, control and value names are marked to stay in English so they still match what is on your screen.

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the five tips

Five changes, none of them a colour grade

Four of the five are settings, not artistry. The shape of the frame, the frame rate you shot at, a lookup table and a transition from a dropdown. Only the vignette asks for any judgement, and even that has numbers attached.

01

A real 21:9 frame, not black bars

Build a custom video mode at 1920 x 822 and export at that size. Bars painted onto a 16:9 frame are the single fastest way to look amateur — the screen adds them for you.

02

A LUT instead of grading

One filter, one .CUBE file, done. LUT (3D) carries the whole orange-and-teal look without you touching a colour wheel.

03

Shoot fast, play slow

Slow motion is a camera decision. 60 fps in, .4 x out. 120 fps in, .2 x out. Shoot at 24 fps and there is nothing to slow down.

04

A vignette nobody notices

Vignette pulls the eye to the middle of the frame. If a viewer can point at it, it is too strong — Opacity lands at 46 % here, not at full.

[ Nothing will make your video look more amateurish than adding those black bars ]

Ben Espanto · 1:33

chapter by chapter

The whole tutorial, ten stops

Click any screencap or timestamp to play that chapter from its exact second, right here in the card. Quotes are transcribed from the audio; every number in the captions was read off the pixels, not off the transcript. Two of these ten chapters are not in YouTube’s list — both captions say why.

0:00
CHAPTER 01

Intro — five tips for a filmic look

“In this tutorial, I’m going to give you five tips to make your video look cinematic or filmic in Shotcut, so stay tuned.”

No interface on screen for the first forty-five seconds — this is a B-roll montage under the pitch. He is not a trained editor and says so: he wanted a free, easy-to-learn program, found Shotcut, and gets most of what Adobe Premiere or DaVinci Resolve do from a much leaner interface.

0:45
CHAPTER 02

Shotcut Version

“Before we get started, I’m doing this tutorial on Shotcut version 20.11.28.”

The About Shotcut dialog reads Shotcut version 20.11.28, Copyright 2011-2020 Meltytech, LLC, licensed GNU General Public License v3.0. That is the build this tutorial was recorded on in 2020, not the current release — panel and filter names below match that build. The status bar behind the dialog reads Preview scaling is ON at 360p.

0:57
CHAPTER 03

Tip #1

“Tip number one, change the aspect ratio of your video to 21:9.”

The whole of tip one is one number: 21:9. And it comes with a warning he repeats three times — never add black bars to the top and bottom of the frame to fake it. The monitor already adds those bars. If you want 21:9, export at 21:9 and let the screen do the letterboxing.

1:51
CHAPTER 04

Exception to Tip #1

“There are only a few exceptions to why you would artificially add those black bars.”

One exception, and it is narrow: deliberately toggling between a 16:9 frame and a 21:9 frame inside the same video — a vlog segment cutting to a montage segment, for instance. Outside that, the bars are a mistake.

2:12
CHAPTER 05

Video Dimensions

“The most popular video dimensions in the 21:9 aspect ratio are 1920 x 822, 2560 x 1080, 3440 x 1440, and 5120 x 2160.”

Four dimension cards go by, then the work: Settings → Video Mode → Custom, then Add. The Add Custom Video Mode dialog here holds Name 1920 x 822, Resolution 1920 x 822, Aspect ratio 21 : 9, Frames/sec 23.976024, Scan mode Progressive and Colorspace ITU-R BT.709.

4:48
CHAPTER 06

Tip #2 LUTs

“Tip number two, use a lookup table or LUT for short.”

This chapter is missing from YouTube’s chapter list because the description line that should have created it reads 04:48: Tip #2 LUTs — the stray colon after the timestamp breaks the parser, so the section between Video Dimensions and Tip #3 FPS silently disappeared. The Open 3D LUT File dialog sits on This PC → 2020 (S:) → Color Grade, filtered to 3D-LUT Files (*.3dl *.cube *.dat): one Insta360_LUT folder and eleven .CUBE files. The one he picks is Orange Teal Bluer.CUBE.

6:40
CHAPTER 07

Tip #3 FPS

“Tip number three, slow it down. To do this, you want to record your movies at at least 30 frames per second, even better if you can record at 60 frames per second.”

Slow motion is decided at the camera, not in the edit. This clip was shot at 59.940060 frames per second, so Properties → Speed takes .4 x and still plays one frame per timeline frame. The Properties panel also shows the source: 2562x1440 h264, yuv420p, Broadcast Limited (MPEG).

7:52
CHAPTER 08

Tip #4 Vignette

“Tip number four, bring focus to your subject by adding a subtle vignette. Like I said, this is very subtle.”

The Vignette filter, added second, under Size, Position & Rotate in the stack. Three controls and he moves all three: Radius 49 %, Feathering 156 % with Non-linear feathering ticked, and Opacity dragged down from 63 % to 46 % before he settles. Subtle is the whole point — the viewer should not be able to name what changed.

9:25
CHAPTER 09

Tip #5 Transitions

“Once you’ve applied all those effects to your videos, use cinematic transitions to move from one scene to another.”

Drag one clip on top of the next and the overlap becomes a box with an X in it. Select that box, open Properties, and the Transition panel appears. The Video dropdown shown here carries twenty-four named transitions plus Custom..., with Dissolve as the default. He also names five fancier ones he has separate tutorials for: zoom, whip pan, blur, speed ramp and the standard dissolve.

11:49
CHAPTER 10

Outro — and how to get the free LUTs

“If you haven’t had a chance to download a free copy of my LUTs, all you have to do are two things. Number one, subscribe to my channel. And number two, write a comment below saying, I want your LUTs.”

YouTube’s chapter list stops at 9:25, but the tutorial does not run to the end from there — the recap and outro start at 11:49, read off the frames. The end card asks for a subscribe, points at Instagram @bentacular, and notes that gear links live in the description. The LUTs are handed out by email on request.

build it yourself

Eight steps, start to finish

Every value below was read off the screen in the video. Where a number is missing, it is because it was never shown — not because a sensible-sounding one was invented for it.

STEP 01

Pick a 21:9 size and commit to it

Four sizes are offered on screen, all of them 21:9. Pick the one that matches your source: crop 1080p footage to 1920 x 822, or go wider if you shot wider.

1920 x 822 2560 x 1080 3440 x 1440 5120 x 2160
Shotcut interface at 2:27
2:27 · the first of four dimension cards, all of them 21:9, shown between 2:27 and 2:39

These are the only four sizes named in the video, in this order, between 2:27 and 2:39.

STEP 02

Create the custom video mode

Go to Settings → Video Mode → Custom and click Add. Fill the dialog in exactly as below. The name is only a label for the preset; leave it blank and the mode applies to this project alone.

Name 1920 x 822 Resolution 1920 x 822 Aspect ratio 21 : 9 Frames/sec 23.976024 Scan mode Progressive Colorspace ITU-R BT.709
Shotcut interface at 3:51
3:51 · the Add Custom Video Mode dialog filled in and about to be accepted — 1920 x 822 at 21 : 9, 23.976024 frames per second

23.976024 is not decoration. It is the frame rate the timeline runs at, and tip three changes clip speed against it — set it now, not later.

STEP 03

Zoom the footage back out to fill the new frame

The moment the mode changes, 1080p footage sits in the middle of a wider frame with black on both sides. Add Size, Position & Rotate — the filter formerly called Rotate and Scale — and push Zoom back to 100 % so the picture stretches to both edges.

filter Size, Position & Rotate Zoom 100 % Size 1920 x 1080 Position 0 , -129 Size mode Fill Rotation 0.0 °
Shotcut interface at 4:32
4:32 · Size, Position & Rotate on trees-1080.mp4 with Zoom back at 100 % and Position nudged to 0 , -129

Position is the vertical nudge that decides which slice of the taller original survives the crop. There is no correct value — frame it by eye.

STEP 04

Add LUT (3D) and load a .CUBE file

Select the clip, open the filter list, click the plus button and type LUT. Add LUT (3D), click Open..., and choose a file. The look arrives whole; there is nothing to tune afterwards except Interpolation.

filter LUT (3D) file Orange Teal Bluer.CUBE Interpolation Trilinear dialog Open 3D LUT File
Shotcut interface at 6:30
6:30 · the LUT (3D) filter holding Orange Teal Bluer.CUBE, Interpolation on Trilinear — the checkbox is off mid-comparison

Toggle the filter’s checkbox on and off to compare. He does exactly that at 6:14, and it is the fastest honest test of whether a LUT is helping.

STEP 05

Slow the clip down in Properties

Not a filter — a clip property. Select the clip, open Properties, and type a number into Speed. How low you can go is set by what the camera recorded, not by what you want.

Speed .4 x source 59.940060 fps source 2562x1440 h264 Pitch Compensation unchecked

Duration reads 00:00:56:22 after the change. Slowing a clip lengthens it — expect the timeline to move.

STEP 06

Add Vignette and keep it quiet

Filter list, plus button, type vignette. Three sliders: Radius decides how much of the frame stays bright, Feathering decides how gradual the falloff is, Opacity decides how dark the edge gets.

filter Vignette Radius 49 % Feathering 156 % Non-linear feathering checked Opacity 46 %
Shotcut interface at 8:36
8:36 · typing vignette into the filter search to find it

He first sets Opacity to 63 %, looks at it, and pulls it back to 46 %. Both numbers are on screen; 46 % is where he leaves it.

STEP 07

Overlap two clips to make a transition

Drag one clip on top of the one before it on the same track. The overlapping region becomes its own timeline item — a purple box with an X across it. That box is the transition.

Length is set by how far you drag. A longer overlap is a longer transition; there is no duration field to type into.

STEP 08

Choose which transition it is

Select the X box, open Properties, and the Transition panel replaces the clip properties. The Video dropdown holds twenty-four named transitions plus Custom...; Dissolve is what you get if you never open it.

Video Dissolve (default) Invert Wipe unchecked Softness 20 % Audio Cross fade Mix 0 %
Shotcut interface at 11:30
11:30 · Barn Door Vertical chosen in the Transition panel, Softness at 20 %

Softness only bites on the wipe-style transitions. On Dissolve and Cut it changes nothing.

settings reference

Every verified value in one place

Read directly off the frames of the video. Nothing here comes from the audio — the machine transcript turned every resolution in this tutorial into a decimal number.

Project, menus and filters
SettingValueWhere it lives
Shotcut version20.11.28Help → About Shotcut
Copyright line2011-2020 Meltytech, LLCAbout Shotcut
LicenceGNU General Public License v3.0About Shotcut
Status bar during recordingPreview scaling is ON at 360pPlayer status bar
Video mode pathSettings → Video Mode → Custom → AddMenu bar
Source cliptrees-1080.mp4 · trees.mp4Timeline V1
Filter 1Size, Position & RotateFormerly Rotate and Scale
Filter 2LUT (3D)Filters → +
Filter 3VignetteFilters → +
Speed controlProperties → SpeedClip property, not a filter
Transition controlProperties → TransitionSelect the X box on the overlap
Add Custom Video Mode — every field, as filled in on screen
FieldValueNote
Name1920 x 822Label only — blank saves no preset
Resolution1920 x 822Changed from 1920 x 1080
Aspect ratio21 : 9Changed from 16 : 9
Frames/sec23.976024Left unchanged
Scan modeProgressiveLeft unchanged
ColorspaceITU-R BT.709Left unchanged
The four 21:9 dimensions named on screen, in order
Shown atDimensionsWhat it suits
2:271920 x 822Cropped from 1080p source — the one used here
2:312560 x 1080Full-height 1080p, wider frame
2:353440 x 1440Ultrawide monitor native
2:395120 x 216021:9 at 4K height
Frame rate in, slow motion out — the three pairs stated in the video
Recorded atSpeed settingVerified on screen
30 fps.8 xCard at 7:14
60 fps.4 xTyped into Properties at 7:45
120 fps.2 xCard at 7:30

The clip he actually slows was recorded at 59.940060 fps, which Shotcut reports under Properties as 2562x1440 h264, yuv420p, Broadcast Limited (MPEG). Its Duration reads 00:00:56:22 after the speed change.

Vignette and Size, Position & Rotate — every control, as left on screen
FilterControlValue
Size, Position & RotatePosition0 , -129
Size, Position & RotateSize1920 x 1080
Size, Position & RotateZoom100 %
Size, Position & RotateSize modeFill
Size, Position & RotateHorizontal fit / Vertical fitCenter / Middle
Size, Position & RotateRotation0.0 °
VignetteRadius49 %
VignetteFeathering156 %
VignetteNon-linear featheringchecked
VignetteOpacity46 % (from 63 %)
LUT (3D)FileOrange Teal Bluer.CUBE
LUT (3D)InterpolationTrilinear
The LUT folder on screen — Open 3D LUT File, This PC → 2020 (S:) → Color Grade
NameDate modifiedTypeSize
Insta360_LUT10/30/2020 12:08 PMFile folder
Add Brown.CUBE6/19/2020 8:43 PMCUBE File865 KB
Add Copper.CUBE6/19/2020 8:43 PMCUBE File865 KB
bright.CUBE6/19/2020 8:42 PMCUBE File865 KB
browner.CUBE6/10/2020 2:42 PMCUBE File865 KB
Cinematic 2.CUBE6/19/2020 8:42 PMCUBE File865 KB
Cinematic.CUBE6/19/2020 8:42 PMCUBE File865 KB
Orange Teal Bluer.CUBE2/11/2020 4:19 PMCUBE File865 KB
Orange Teal Sharp.CUBE2/11/2020 4:10 PMCUBE File865 KB
sad.CUBE6/19/2020 8:42 PMCUBE File865 KB
sepia.CUBE6/10/2020 2:39 PMCUBE File865 KB
summer.CUBE6/19/2020 8:42 PMCUBE File865 KB

These are Ben’s own files, not shipped with Shotcut. The file-type filter on the dialog reads 3D-LUT Files (*.3dl *.cube *.dat). He gives the LUTs away by email — subscribe, then comment, and he sends them.

Every transition in the Video dropdown, in the order listed
#Transition#Transition
1Dissolve13Matrix Snake Horizontal
2Cut14Matrix Snake Parallel Horizontal
3Bar Horizontal15Matrix Snake Vertical
4Bar Vertical16Matrix Snake Parallel Vertical
5Barn Door Horizontal17Barn V Up
6Barn Door Vertical18Iris Circle
7Barn Door Diagonal SW-NE19Double Iris
8Barn Door Diagonal NW-SE20Iris Box
9Diagonal Top Left21Box Bottom Right
10Diagonal Top Right22Box Bottom Left
11Matrix Waterfall Horizontal23Box Right Center
12Matrix Waterfall Vertical24Clock Top
Custom...

Two of these are demonstrated on camera: Barn Door Vertical at 11:24 and Iris Circle at 11:33. The five he names in the montage — zoom, whip pan, blur, speed ramp and dissolve — are built from other filters and have their own tutorials on his channel; only the last one is in this dropdown.

full transcript

Everything said, timestamped

Machine transcribed from the video audio. Spoken phrasing is left as-is; only the product, filter and resolution names the transcriber mangled have been corrected — it turned every dimension into a decimal number and heard LUT as “lot” throughout. Every timestamp plays the video in the hero from that second.

+ open the full transcript 123 lines · 13:24
0:00

In this tutorial, I'm going to give you five tips to make your video look cinematic or filmic in Shotcut, so stay tuned.

0:08

I'm just a normal person with no video editing background.

0:12

I wanted to start making YouTube videos and maybe cool transitions and effects.

0:16

I don't really plan on being a professional video editor, so I was looking for a free, easy-to-learn video editing software.

0:22

Luckily, I stumbled on Shotcut, a free, open-source video editing program that can do many of the tricks

0:28

you can do on more enterprise video editors like Adobe Premiere or DaVinci Resolve,

0:33

but with a much simpler and leaner interface, thus dramatically shortening the learning curve.

0:39

It just takes using your imagination. So let's learn together.

0:45

Before we get started, I'm doing this tutorial on Shotcut version 20.11.28.

0:56

Tip number one, change the aspect ratio of your video to 21:9.

1:03

Now, there are many aspect ratios for cinema, but for this tutorial, I'm going to focus on the 21:9 aspect ratio.

1:10

But first and foremost, I just want to warn you, never, never, never add black bars to the top and bottom of your video.

1:19

I can spend a whole video just explaining it, but there are already a ton of YouTube videos that explain why you shouldn't add black bars.

1:27

So watch those after you finish this tutorial or you could just take my word for it.

1:33

Nothing will make your video look more amateurish than adding those black bars.

1:37

Those bars are already automatically added by the monitor or screen you're watching in.

1:44

So if you really want your video to have a 21:9 aspect ratio, then save it at that actual ratio.

1:52

Here's one caveat. There are only a few exceptions to why you would artificially add those black bars.

1:59

One example is when you are toggling between a 16:9 screen and a 21:9 screen in a deliberate manner.

2:06

Like if you're switching between a vlog and a montage, but that's it.

2:13

Here are the most common video dimensions you can save them in.

2:17

The most popular video dimensions in the 21:9 aspect ratio are 1920 x 822, 2560 x 1080, 3440 x 1440, and 5120 x 2160.

2:41

In this example, since I'm starting out with a 1920 x 1080 video, I'm going to crop it down to 1920 x 822.

2:53

Also, don't forget to set your frames per second to 24 frames per second or more specifically 23.976024.

3:04

This is going to matter later when we change the speed of the video.

3:09

First, you go to Video Mode and you would actually need to create a custom Video Mode and so you click the add button.

3:22

Instead of 1920 x 1080, you would go 1920 x 822.

3:27

You then change the aspect ratio from 16:9 to 21:9.

3:34

Keep the frames per second at 23.976024.

3:41

For all intents and purposes, I'm just going to name this setting 1920 x 822.

3:49

Then click OK.

3:53

All of a sudden, it's going to resize it and it's going to have these black bars on either side.

3:59

What happens is that you made this thing a little bit longer and not as tall.

4:06

You would then need to go back to filters, click the plus button, look for what was formerly known as Rotate and Scale.

4:17

Now called Size, Position & Rotate.

4:22

I would then go into the zoom and I'll zoom back to 100% so that you stretch out the image to fill both sides.

4:34

And now you have managed to crop your original 1920 x 1080 down to 1920 x 822.

4:48

Tip number two, use a lookup table or LUT for short.

4:55

A LUT can dramatically change the look of your video.

4:58

It can set a mood based on the colors that you choose.

5:02

So if you don't want to spend a lot of time color grading, just slap a LUT.

5:08

One of the most sought after looks in cinematic videos is the orange and teal look.

5:16

Luckily, I've already created an orange and teal LUT you can download for free.

5:22

If you hadn't had a chance to download my free LUTs, watch until the end of this video for instructions on how to download them for free.

5:32

Using a LUT is actually surprisingly easy on Shotcut.

5:37

So all you have to do is select your clip, go to filters, click the plus button and type LUT for LUT.

5:52

Once there, all you have to do is load a LUT.

5:57

So you click the open button and for the orange and teal look, I have a LUT called Orange Teal Bluer, which you can download later.

6:11

Click open, all of a sudden it changes the colors.

6:14

And so I'm going to toggle back and forth just so you can see the difference in the colors.

6:23

And so I just immediately converted a video that was originally recorded at standard colors into the new orange and teal look.

6:42

Tip number three, slow it down.

6:46

To do this, you want to record your movies at at least 30 frames per second, even better if you can record at 60 frames per second.

6:56

If you can get it down to 120 frames per second, then you're a baller.

7:02

The higher the frames per second, the slower you can make your video.

7:08

A 30 frames per second recording can be slowed down to 0.8 times speed.

7:16

A 60 frames per second recording can be slowed down to 0.4 times speed.

7:22

And a 120 frames per second recording can be slowed way down to 0.2 times speed.

7:32

This video happened to be recorded at 60 frames per second.

7:37

So I can go to properties, speed, and set it to 0.4 times speed.

7:48

Now you have a nice and smooth slow motion shot.

7:53

Tip number four, bring focus to your subject by adding a subtle vignette.

7:59

Like I said, this is very subtle.

8:02

What you're trying to do is focus your viewer's attention on what you want them to be looking at.

8:08

And so that's very easy to accomplish.

8:11

So in this video, as you can see, it's a video of a forest.

8:16

But what I want to do is I want the viewers to focus only in this middle part right here.

8:22

So what I'm going to do is I'm going to add a very subtle vignette.

8:27

So first and foremost, go to filters, click the plus button, and type vignette.

8:44

Now you can control the radius.

8:46

You can make it take up more of your video or less.

8:52

I think we're going to be around right there.

8:56

You can then control the feathering to make it more gradual or less gradual.

9:02

And finally, the opacity.

9:08

I think we're going to keep it right there.

9:14

And there you go.

9:17

You just created more focus on the middle part of this video by creating a vignette around it.

9:26

Finally, tip number five.

9:29

Once you've applied all those effects to your videos,

9:32

use cinematic transitions to move from one scene to another.

9:38

The good thing is there are tons of ways for you to transition between scenes.

9:44

Here are just a few.

9:47

Zoom transition.

9:50

Whip pan transition.

9:54

Blur transition.

9:57

Speed ramp transition.

9:59

And a standard dissolve.

10:03

If you want to learn how to achieve all those fancy transitions, fear not.

10:10

I've already created tutorials on this channel.

10:14

All you have to do is go to my page, scroll down to Shotcut tips, tricks, and tutorials,

10:23

and watch all the transition tutorials you want.

10:28

Don't want to take time to learn any new transitions.

10:31

That's okay too.

10:34

Luckily, Shotcut already comes with dozens of dissolved presets out of the box.

10:42

All you have to do is grab one of your clips and drag it right on top of the other clip.

10:50

It's going to create an overlap.

10:51

In that overlap area, there's going to be a box with an X.

10:55

Select that box, go to properties, and go to the transition dialog box.

11:05

Click the drop down and choose any one of the default dissolves and transitions you want to use.

11:13

The default transition for Shotcut is the dissolve transition.

11:20

Let's choose another one in the drop down box.

11:23

This one, let's choose Barn Door Vertical.

11:26

And this is what that looks like.

11:33

How about we choose the Iris Circle transition.

11:41

That's it.

11:43

These are the easiest transitions you can implement on Shotcut.

11:49

And there you have it.

11:51

Five tips to make your videos more cinematic on Shotcut.

11:58

As I mentioned earlier, if you haven't had a chance to download a free copy of my LUTs,

12:05

all you have to do are two things.

12:08

Number one, subscribe to my channel.

12:12

And number two, write a comment below saying, I want your LUTs.

12:19

And that's it.

12:21

I'll then reach out to you, ask for your email address, and I will email you a copy of those LUTs.

12:28

I just wanted to remind you that if you haven't yet, go visit my channel.

12:34

I'm sure you'll find tons of Shotcut related videos.

12:38

And don't forget to subscribe so that you know when I drop a new Shotcut related tutorial.

12:46

Every video on my channel was done on Shotcut.

12:50

So aside from examples of what Shotcut can do, you can also visit my playlist of tips and tutorials.

12:58

All geared toward the beginner.

13:01

Visit my Shotcut tips and tricks playlist and learn all the tips and tricks I've learned during my journey toward video editing.

13:10

So once again, please subscribe.

13:13

And I'll see you next time.